Pulp magazines (often referred to as 'the pulps'), also collectively known as pulp fiction, refers to inexpensive fiction magazines published from 1896 through the 1950s. The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Pulps were printed on cheap paper with ragged, untrimmed edges. The name pulp comes from the cheap wood pulp paper on which the magazines were printed. Magazines printed on better paper were called 'glossies' or 'slicks.'
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In their first decades, they were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art. Modern superhero comic books are sometimes considered descendants of 'hero pulps'; pulp magazines often featured illustrated novel-length stories of heroic characters, such as The Shadow, Doc Savage, and The Phantom Detective. The first 'pulp' was Frank Munsey's revamped Argosy Magazine of 1896, about 135,000 words (192 pages) per issue on pulp paper with untrimmed edges and no illustrations, not even on the cover. While the steam-powered printing press had been in widespread use for some time, enabling the boom in dime novels, prior to Munsey, no one had combined cheap printing, cheap paper and cheap authors in a package that provided affordable entertainment to working-class people. In six years Argosy went from a few thousand copies per month to over half a million.
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Street & Smith were next on the market. A dime novel and boys' weekly publisher, they saw Argosy's success, and in 1903 launched The Popular Magazine, billed as the 'biggest magazine in the world' by virtue of being two pages longer than Argosy. Due to differences in page layout, the magazine had substantially less text than Argosy. The Popular Magazine introduced color covers to pulp publishing. The magazine began to take off when, in 1905, the publishers acquired the rights to serialize Ayesha, by H. Rider Haggard, a sequel to his popular novel She. Haggard's Lost World genre influenced several key pulp writers, including Edgar Rice Burroughs, Robert E.
Howard, Talbot Mundy and Abraham Merritt. In 1907, the cover price rose to 15 cents and 30 pages were added to each issue; along with establishing a stable of authors for each magazine, this change proved successful and circulation began to approach that of Argosy. Street and Smith's next innovation was the introduction of specialized genre pulps, each magazine focusing on a genre such as detective stories, romance, etc.
At their peak of popularity in the 1920s and 1930s, the most successful pulps could sell up to one million copies per issue. The most successful pulp magazines were Argosy, Adventure, Blue Book and Short Stories described by some pulp historians as 'The Big Four'. Among the best-known other titles of this period were Amazing Stories, Black Mask, Dime Detective, Flying Aces, Horror Stories, Love Story Magazine, Marvel Tales, Oriental Stories, Planet Stories, Spicy Detective, Startling Stories, Thrilling Wonder Stories, Unknown, Weird Tales and Western Story Magazine. Although pulp magazines were primarily a US phenomenon, there were also a number of British pulp magazines published between the Edwardian era and World War Two.
Notable UK pulps included Pall Mall Magazine, The Novel Magazine, Cassell's Magazine, The Story-Teller, The Sovereign Magazine, Hutchinson's Adventure-Story and Hutchinson's Mystery-Story. The German fantasy magazine Der Orchideengarten had a similar format to American pulp magazines, in that it was printed on rough pulp paper and heavily illustrated. The Second World War paper shortages had a serious impact on pulp production, starting a steady rise in costs and the decline of the pulps. Beginning with Ellery Queen's Mystery Magazine in 1941, pulp magazines began to switch to digest size; smaller, thicker magazines. In 1949, Street & Smith closed most of their pulp magazines in order to move upmarket and produce slicks.8 The pulp format declined from rising expenses, but even more due to the heavy competition from comic books, television, and the paperback novel. In a more affluent post-war America, the price gap compared to slick magazines was far less significant.
In the 1950s, Men's adventure magazines began to replace the pulp. The 1957 liquidation of the American News Company, then the primary distributor of pulp magazines, has sometimes been taken as marking the end of the 'pulp era'; by that date, many of the famous pulps of the previous generation, including Black Mask, The Shadow, Doc Savage, and Weird Tales, were defunct.
Almost all of the few remaining pulp magazines are science fiction or mystery magazines now in formats similar to 'digest size', such as Analog Science Fiction and Fact and Ellery Queen's Mystery Magazine. The format is still in use for some lengthy serials, like the German science fiction weekly Perry Rhodan. Over the course of their evolution, there were a huge number of pulp magazine titles; Harry Steeger of Popular Publications claimed that his company alone had published over 300, and at their peak they were publishing 42 titles per month.
Many titles of course survived only briefly. While the most popular titles were monthly, many were bimonthly and some were quarterly. The collapse of the pulp industry changed the landscape of publishing because pulps were the single largest sales outlet for short stories. Combined with the decrease in slick magazine fiction markets, writers attempting to support themselves by creating fiction switched to novels and book-length anthologies of shorter pieces. Pulp covers were printed in color on higher-quality (slick) paper.
They were famous for their half-dressed damsels in distress, usually awaiting a rescuing hero. Cover art played a major part in the marketing of pulp magazines. The early pulp magazines could boast covers by some distinguished American artists; The Popular Magazine had covers by N.C. Wyeth, and Edgar Franklin Wittmack contributed cover art to Argosy and Short Stories. Later, many artists specialized in creating covers mainly for the pulps; a number of the most successful cover artists became as popular as the authors featured on the interior pages. Among the most famous pulp artists were Walter Baumhofer, Earle K.
Bergey, Margaret Brundage, Edd Cartier, Virgil Finlay, Earl Mayan, Frank R. Paul, Norman Saunders, Nick Eggenhofer, (who specialized in Western illustrations), Rudolph Belarski and Sidney Riesenberg. Covers were important enough to sales that sometimes they would be designed first; authors would then be shown the cover art and asked to write a story to match. Later pulps began to feature interior illustrations, depicting elements of the stories. The drawings were printed in black ink on the same cream-colored paper used for the text, and had to use specific techniques to avoid blotting on the coarse texture of the cheap pulp. Thus, fine lines and heavy detail were usually not an option. Shading was by crosshatching or pointillism, and even that had to be limited and coarse.
Usually the art was black lines on the paper's background, but Finlay and a few others did some work that was primarily white lines against large dark areas. Another way pulps kept costs down was by paying authors less than other markets; thus many eminent authors started out in the pulps before they were successful enough to sell to better-paying markets, and similarly, well-known authors whose careers were slumping or who wanted a few quick dollars could bolster their income with sales to pulps. Additionally, some of the earlier pulps solicited stories from amateurs who were quite happy to see their words in print and could thus be paid token amounts. There were also career pulp writers, capable of turning out huge amounts of prose on a steady basis, often with the aid of dictation to stenographers, machines or typists. Before he became a novelist, Upton Sinclair was turning out at least 8,000 words per day seven days a week for the pulps, keeping two stenographers fully employed. Pulps would often have their authors use multiple pen names so that they could use multiple stories by the same person in one issue, or use a given author's stories in three or more successive issues, while still appearing to have varied content.
One advantage pulps provided to authors was that they paid upon acceptance for material instead of on publication; since a story might be accepted months or even years before publication, to a working writer this was a crucial difference in cash flow. Some pulp editors became known for cultivating good fiction and interesting features in their magazines. Preeminent pulp magazine editors included Arthur Sullivant Hoffman (Adventure), Robert H. Davis (All-Story Weekly), Harry E.
Maule (Short Stories) Donald Kennicott (Blue Book), Joseph T. Shaw (Black Mask), Farnsworth Wright (Weird Tales, Oriental Stories), John W. Campbell (Astounding Science Fiction,Unknown) and Daisy Bacon (Love Story Magazine, Detective Story Magazine). Description of this collection from Wikipedia. Many issues of this collection come from a variety of anonymous contributors, as well as sites such as.
Volume 30 Number 6 Contents The Vampire by Virgil Finlay The Sea-Witch by Nictzin Dyalhis Fane of the Black Pharaoh by Robert Bloch The Black Stone Statue by Mary Elizabeth Counselman The Old House on the Hill by Winona Montgomery Gililand Flames of Vengeance by Seabury Quinn Child of Atlantis by Edmond Hamilton The Voyage of the Neutralia (part 2) by B. Wallis Uneasy Lie the Drowned by Donald Wandrei The Keen Eyes and Ears of Kara Kedi by Claude Farrere Fragment by Robert E. Howard Polaris. Topics: pulp, Weird Tales. The writings of Lester Del Rey have been removed due to a request by John Betancourt of Wildside Press.
(Contents information excerpted from The Internet Speculative Fiction Database ) Art: To Grab Power by uncredited The Beast of 309 by uncredited Beneath Still Waters by uncredited The Midnight Ride of Merlanger Mckay by uncredited A Slight Detour by uncredited Pime Doesn't Cray by uncredited Never Cry Human by uncredited The Immortal by uncredited The Man Who Devoured Books by uncredited. Topics: retief, caesar, bodyguard, harper, magnan, streng, kern, radnor, groaci, young man, science. Volume 32 Number 1 Spawn of Dagon - Henry Kuttner A weird story of Elak of Atlantis, and the worship of the fish-god Fortune's Fools - Seabury Quinn A thrill-tale of the Dark Ages, about wolves that were men, and men that were wolves Dust in the House - David H.
Keller A shuddery story about the skeletons that sat across the table from each other The Defense Rests - Julius Long An eery tale of a heartless lawyer, who nevertheless wanted to acquit bis own murderer The Messenger - H. Favorite favorite favorite favorite favorite ( 1 reviews ) Topics: pulp, Weird Tales. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: Jungle in the Sky by R. Martin Jungle in the Sky by uncredited It Takes a Thief by uncredited The Beast by Nevile Blake Infinity's Child by uncredited Resurrection Seven by uncredited Dreamer's World by uncredited Essays: A Chat with the Editor. (If, May 1952) by Paul W.
Fairman Personalities in Science Fiction: Raymond A. Palmer by Paul W. Fairman Guest Editorial by James V. Taurasi Science Briefs (If, May.
Topics: steve, teejay, buckmaster, asir, corrigan, wagner, barling, wingfield, leclarc, big joe, milton. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: Pipe Dream by uncredited The Wind People by Paul Orban The Man Who Tasted Ashes by Ed Emshwiller Love and Moondogs by Ed Emshwiller The Last Days of L.A.
By Paul Orban Virgin Ground by uncredited Discipline by Ed Emshwiller Star of Rebirth by uncredited No, No, Not Rogov! By Ed Emshwiller Essay: In the Balance (If, February 1959) by Damon Knight Short Stories: Pipe Dream by Fritz Leiber The Wind People. Favorite favorite favorite favorite favorite ( 1 reviews ) Topics: winthrop, rogov, walsh, helen, denton, redfern, martha, atanta, gauck, charlie spence, pipe dream. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: A Tourist Named Death by Wallace Wood A Pride of Islands by Wallace Wood Heel by Virgil Finlay A Great Day for the Irish by uncredited Matchmaker by Wallace Wood Essay: Worlds of If (If, May 1960) by Frederik Pohl Novelettes: A Tourist Named Death by Christopher Anvil A Pride of Islands by C. MacApp Matchmaker by Charles L. Fontenay Short Stories: Thirty Degrees Cattywonkus by James Bell When Day Is Done.
Favorite ( 1 reviews ) Topics: dan, lao, alyar, grida, mataform, ernie, bru, bridget, kielgaard, named death, christopher anvil. Volume 32 Number 2 Contents Old Cornish Litany by Virgil Finlay Frozen Beauty by Seabury Quinn The Diary of Alonzo Typer by William Lumley The Goddess Awakes by Clifford Ball The Strangling Hands by M. Moretti Haunting Columns by Robert E.
Howard World's End by Henry Kuttner The Hairy Ones Shall Dance (part 2) by Gans T. Field From Beyond by H. Lovecraft Ally of Stars by Irene Wilde The Piper of Bhutan by David Bernard The Passing of Van Mitten by Claude Farrere The Ghosts ot. Topics: pulp, Weird Tales.
The writings of Lester Del Rey have been removed due to a request by John Betancourt of Wildside Press. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: Stranger in Paradise by Jack Gaughan House Divided by Jack Gaughan Berserker's Planet (Part 1 of 2) by Jack Gaughan Cantor's War by Jack Gaughan Aura of Immortality by Jack Gaughan Second Advent by Jack Gaughan The People's Choice by uncredited Nostradamus by Jack Gaughan Ars Gratia (If, May-June 1974). Topics: schoenberg, suomi, lenoir, planet, fiction, hranth, rick, anthony, leros, science fiction, rick.
Volume 28 Number 3 Isle of the Undead - Lloyd Arthur Eshbach An uncanny tale of the fate that befell a yachting party on the awful island of living dead men. The Lost Temples of Xantoos - Howell Calhoun Verse The Opener of the Way - Robert Bloch A tremendous tale of dread doom in a forgotten tomb beneath the desert sands of Egypt Witch-Burning - Mary Elizabeth Counselman Verse The Lost Door - Dorothy Quick An alluring but deadly horror out of past centuries menaced the life of a young American. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: The Beautiful People by Bob Martin Holes, Incorporated by Hi Marx Marley's Chain by Ted Speicher An Empty Bottle by uncredited Shock Treatment by Wilson Sinister Paradise by uncredited Essays: A Chat with the Editor. (If, September 1952) by Paul W. Fairman Personalities in Science Fiction: Jules Verne by Paul W. Fairman Science Briefs (If, September 1952) by Henry Bott Guest Editorial by L. Topics: parker, retch, newlin, conger, tam, eyes, songeen, rozeno, stared, shock treatment, robert moore.
Issues of The Photoplayers Weekly. 1, 1916), 35 (Apr.
8, 1916), 36 (Apr. 15, 1916), 37 (Apr.
22, 1916), 38 (Apr. 29, 1916), 39 (May 6, 1916), 40 (May 13, 1916), 41 (May 20, 1916), 42 (May 27, 1916), 43 (June 3, 1916), 44 (June 10, 1916), 45 (June 17, 1916), 46 (June 24, 1916), 47 (July 1, 1916), 48 (July 8, 1916), 49 (July 15, 1916), 50 (July 22, 1916), 51 (July 29, 1916), 52 (Aug. Publisher: Photoplayers Publishing Co., Los. Topics: Motion Pictures, Film Industry Trade Publication. Volume 31 Number 3 Contents 'Like one, that on a lonesome road' by Virgil Finlay Incesne of Abomination by Seabury Quinn The Poets by Robert E.
Howard The Thing on the Floor by Thorp McClusky Dreadful Sleep by Jack Williamson The Shadow on the Screen by Henry Kuttner Beyond the Wall of Sleep by H. Lovecraft The Hairy Ones Shall Dance (end) by Gans T.
Field Guarded by Mearle Prout The Teakwood Box by Johns Harrington To Howard Phillips Lovecraft by Francis Flagg The Head in the. Topics: pulp, Weird Tales. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: Rocket-Launching Satellite by uncredited The Image and the Likeness by Zimmerman The Running Hounds by Bob Martin You Too Can Be a Millionaire by Tom Beecham Let There Be Light by Bob Martin Generals Help Themselves by Bob Martin Lunar Ship by uncredited Essays: A Chat with the Editor (If, November 1952) by Paul W. Fairman Personalities in Science: Leonardo Da Vinci by Paul W. Fairman Science Briefs (If. Topics: kazu, baker, jordan, penelope, buddha, likeness, spain, comet, scott campbell, john scott, red. The writings of Lester Del Rey have been removed due to a request by John Betancourt of Wildside Press.
(Contents information excerpted from The Internet Speculative Fiction Database ) Art: Gods On Olympus by Jack Gaughan The Emoman by uncredited Black Baby by uncredited Freezeout by uncredited Underbelly by uncredited The Book of Rack the Healer (Part 2 of 2) by uncredited Essays: Hue and Cry (If, September-October 1972) by Ejler Jakobsson Sf Calendar (If, September-October 1972) by uncredited. Topics: rack, gabriel, fisk, pegleg, healer, lindy, planet, berg, sawbill, red earth, beautiful wings. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: Twelve Times Zero by uncredited Twelve Times Zero 2 by uncredited Twelve Times Zero 3 by uncredited Bitter Victory by uncredited Black Eyes and the Daily Grind by uncredited Of Stegner's Folly by uncredited Never Underestimate. By uncredited The Hell Ship by uncredited The Hell Ship by uncredited The Old Martians by uncredited Essays: A Chat with the Editor.
(If, March 1952) by Paul W. Favorite favorite favorite ( 4 reviews ) Topics: kirk, gene, naia, cordell, judd, eyes, rorrek, dakin, alma, black eyes, martin kirk, naia north.
(Contents information excerpted from The Internet Speculative Fiction Database ) Art: Defense Base On the Moon by Ed Valigursky Deadly City by Ed Emshwiller Margin of Error by Bob Martin The Victor by Frank Kelly Freas Thy Name Is Woman by Zimmerman The Sword by Tom Beecham The Rotifers by Virgil Finlay The Black Tide by Ed Valigursky On Target by Ed Valigursky Essays: A Chat with the Editor (If, March 1953) by James L. Quinn Personalities in Science: Galileo by Eve P. Wulff Science Briefs (If.
Topics: frank, nora, wilson, marquis, minna, eyes, bowren, jim, man, jim wilson, deadly city, science. Volume 33 Number 4 Contents The Red God Laughed by Thorp McClusky Trinities by Edgar Daniel Kramer 'Their eyes upturned and begged and burned' by Virgil Finlay Susette by Seabury Quinn Hellsgarde by C. Moore Armies of the Past by Edmond Hamilton The Red Swimmer by Robert Bloch In an Old Street by Vincent Starrett Hydra by Henry Kuttner Fearful Rock (End) by Manly Wade Wellman The High Places by Frances Garfield Mommy by Mary Elizabeth Counselman Will-o'-the-wisp by Charles Sloan. Topics: pulp, Weird Tales. (Contents information excerpted from The Internet Speculative Fiction Database ) Art: The Five Hells of Orion by George Schelling The Shipshape Miracle by Jackson Podkayne of Mars (Part 2 of 3) by Virgil Finlay Captain of the Kali by John Giunta Essays: Nostradamus Concluded by Theodore Sturgeon Essay in Coherence by Theodore Sturgeon Hue and Cry (If, January 1963) by Frederik Pohl Novelette: The Five Hells of Orion by Frederik Pohl Serial: Podkayne of Mars (Part 2 of 3) by Robert A. Topics: mccray, ward, kali, girdie, clark, hatcher, grimnal, ship, tahn, uncle tom, jodrell bank, control. DESCRIPTION Pulp magazines (often referred to as 'the pulps'), also collectively known as pulp fiction, refers to inexpensive fiction magazines published from 1896 through the 1950s.
The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Pulps were printed on cheap paper with ragged, untrimmed edges. The name pulp comes from the cheap wood pulp paper on which the magazines were printed. Magazines printed on better paper were called 'glossies' or 'slicks.'
In their first decades, they were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art. Modern superhero comic books are sometimes considered descendants of 'hero pulps'; pulp magazines often featured illustrated novel-length stories of heroic characters, such as The Shadow, Doc Savage, and The Phantom Detective. The first 'pulp' was Frank Munsey's revamped Argosy Magazine of 1896, about 135,000 words (192 pages) per issue on pulp paper with untrimmed edges and no illustrations, not even on the cover. While the steam-powered printing press had been in widespread use for some time, enabling the boom in dime novels, prior to Munsey, no one had combined cheap printing, cheap paper and cheap authors in a package that provided affordable entertainment to working-class people.
In six years Argosy went from a few thousand copies per month to over half a million. Street & Smith were next on the market. A dime novel and boys' weekly publisher, they saw Argosy's success, and in 1903 launched The Popular Magazine, billed as the 'biggest magazine in the world' by virtue of being two pages longer than Argosy. Due to differences in page layout, the magazine had substantially less text than Argosy.
The Popular Magazine introduced color covers to pulp publishing. The magazine began to take off when, in 1905, the publishers acquired the rights to serialize Ayesha, by H. Rider Haggard, a sequel to his popular novel She. Haggard's Lost World genre influenced several key pulp writers, including Edgar Rice Burroughs, Robert E. Howard, Talbot Mundy and Abraham Merritt. In 1907, the cover price rose to 15 cents and 30 pages were added to each issue; along with establishing a stable of authors for each magazine, this change proved successful and circulation began to approach that of Argosy. Street and Smith's next innovation was the introduction of specialized genre pulps, each magazine focusing on a genre such as detective stories, romance, etc.
At their peak of popularity in the 1920s and 1930s, the most successful pulps could sell up to one million copies per issue. The most successful pulp magazines were Argosy, Adventure, Blue Book and Short Stories described by some pulp historians as 'The Big Four'. Among the best-known other titles of this period were Amazing Stories, Black Mask, Dime Detective, Flying Aces, Horror Stories, Love Story Magazine, Marvel Tales, Oriental Stories, Planet Stories, Spicy Detective, Startling Stories, Thrilling Wonder Stories, Unknown, Weird Tales and Western Story Magazine. Although pulp magazines were primarily a US phenomenon, there were also a number of British pulp magazines published between the Edwardian era and World War Two. Notable UK pulps included Pall Mall Magazine, The Novel Magazine, Cassell's Magazine, The Story-Teller, The Sovereign Magazine, Hutchinson's Adventure-Story and Hutchinson's Mystery-Story. The German fantasy magazine Der Orchideengarten had a similar format to American pulp magazines, in that it was printed on rough pulp paper and heavily illustrated. The Second World War paper shortages had a serious impact on pulp production, starting a steady rise in costs and the decline of the pulps.
Beginning with Ellery Queen's Mystery Magazine in 1941, pulp magazines began to switch to digest size; smaller, thicker magazines. In 1949, Street & Smith closed most of their pulp magazines in order to move upmarket and produce slicks.8 The pulp format declined from rising expenses, but even more due to the heavy competition from comic books, television, and the paperback novel. In a more affluent post-war America, the price gap compared to slick magazines was far less significant. In the 1950s, Men's adventure magazines began to replace the pulp. The 1957 liquidation of the American News Company, then the primary distributor of pulp magazines, has sometimes been taken as marking the end of the 'pulp era'; by that date, many of the famous pulps of the previous generation, including Black Mask, The Shadow, Doc Savage, and Weird Tales, were defunct. Almost all of the few remaining pulp magazines are science fiction or mystery magazines now in formats similar to 'digest size', such as Analog Science Fiction and Fact and Ellery Queen's Mystery Magazine. The format is still in use for some lengthy serials, like the German science fiction weekly Perry Rhodan.
Over the course of their evolution, there were a huge number of pulp magazine titles; Harry Steeger of Popular Publications claimed that his company alone had published over 300, and at their peak they were publishing 42 titles per month. Many titles of course survived only briefly. While the most popular titles were monthly, many were bimonthly and some were quarterly. The collapse of the pulp industry changed the landscape of publishing because pulps were the single largest sales outlet for short stories.
Combined with the decrease in slick magazine fiction markets, writers attempting to support themselves by creating fiction switched to novels and book-length anthologies of shorter pieces. Pulp covers were printed in color on higher-quality (slick) paper. They were famous for their half-dressed damsels in distress, usually awaiting a rescuing hero. Cover art played a major part in the marketing of pulp magazines. The early pulp magazines could boast covers by some distinguished American artists; The Popular Magazine had covers by N.C. Wyeth, and Edgar Franklin Wittmack contributed cover art to Argosy and Short Stories. Later, many artists specialized in creating covers mainly for the pulps; a number of the most successful cover artists became as popular as the authors featured on the interior pages.
Among the most famous pulp artists were Walter Baumhofer, Earle K. Bergey, Margaret Brundage, Edd Cartier, Virgil Finlay, Earl Mayan, Frank R. Paul, Norman Saunders, Nick Eggenhofer, (who specialized in Western illustrations), Rudolph Belarski and Sidney Riesenberg.
Covers were important enough to sales that sometimes they would be designed first; authors would then be shown the cover art and asked to write a story to match. Later pulps began to feature interior illustrations, depicting elements of the stories. The drawings were printed in black ink on the same cream-colored paper used for the text, and had to use specific techniques to avoid blotting on the coarse texture of the cheap pulp. Thus, fine lines and heavy detail were usually not an option.
Shading was by crosshatching or pointillism, and even that had to be limited and coarse. Usually the art was black lines on the paper's background, but Finlay and a few others did some work that was primarily white lines against large dark areas. Another way pulps kept costs down was by paying authors less than other markets; thus many eminent authors started out in the pulps before they were successful enough to sell to better-paying markets, and similarly, well-known authors whose careers were slumping or who wanted a few quick dollars could bolster their income with sales to pulps. Additionally, some of the earlier pulps solicited stories from amateurs who were quite happy to see their words in print and could thus be paid token amounts. There were also career pulp writers, capable of turning out huge amounts of prose on a steady basis, often with the aid of dictation to stenographers, machines or typists.
Before he became a novelist, Upton Sinclair was turning out at least 8,000 words per day seven days a week for the pulps, keeping two stenographers fully employed. Pulps would often have their authors use multiple pen names so that they could use multiple stories by the same person in one issue, or use a given author's stories in three or more successive issues, while still appearing to have varied content. One advantage pulps provided to authors was that they paid upon acceptance for material instead of on publication; since a story might be accepted months or even years before publication, to a working writer this was a crucial difference in cash flow. Some pulp editors became known for cultivating good fiction and interesting features in their magazines.
Preeminent pulp magazine editors included Arthur Sullivant Hoffman (Adventure), Robert H. Davis (All-Story Weekly), Harry E. Maule (Short Stories) Donald Kennicott (Blue Book), Joseph T. Shaw (Black Mask), Farnsworth Wright (Weird Tales, Oriental Stories), John W.
Campbell (Astounding Science Fiction,Unknown) and Daisy Bacon (Love Story Magazine, Detective Story Magazine). Description of this collection from Wikipedia. Many issues of this collection come from a variety of anonymous contributors, as well as sites such as.
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When does the Automoderator comment? For more information about automatic commenting by the Automoderator bot, please see. If you don't want the automoderator to comment on your post, just include the word 'nobot' anywhere in it. Since we've got a good haul indeed!. The Dream-Quest of Vellitt Boe by Kij Johnson, read by the author - AWWWWW YEAH! Johnson's won a good pile of Hugo and Nebula (and other) awards over the years, and this novella, published last year by Tor.com, is her latest Nebula Award finalist.
It was one of my 'most missing' audiobooks of last year, and I'm very much looking forward to listening to it: 'Professor Vellitt Boe teaches at the prestigious Ulthar Women’s College. When one of her most gifted students elopes with a dreamer from the waking world, Vellitt must retrieve her.' . Dungeon Born: Divine Dungeon Series, Book 1 By Dakota Krout, Narrated By Vikas Adam for Tantor - 'For eons, conquering dungeons has been the most efficient way to become a strong adventurer.
Although not everything is as straightforward as it seems. Several questions have always plagued the minds of those who enter these mythical places of power: why are there so many monsters? Where do the amazing weaponry and heavy gold coins come from? Why does the very air fill with life-giving energies?' Whispersync deal at $3.99 plus $2.99 Audible edition.
Cadicle: An Epic Space Opera Series, Volumes 1-3 By Amy DuBoff, Narrated By Josh Bloomberg for Podium - 'The lost colony of Earth has no idea that the galaxy-spanning Taran empire is on the brink of an interdimensional war.' Whispersync deal at $4.99 plus $3.49 Audible edition. Road to Shandara: Safanarion Order, Book 1 By Ken Lozito, Narrated By Vikas Adam for Podium - I'm such a sucker for a good portal fantasy: 'College senior Aaron Jace is ready to start life in the real world. After the unexpected death of his grandfather, Aaron finds an unbelievable note that will change his world. The unknowing descendent of an ancient and powerful family, Aaron is thrust into a struggle that began long ago and will reach across worlds to pull him into the fight.' Whispersync deal at $2.99 plus $2.99 Audible edition. The Interminables By Paige Orwin, Narrated By William Hope for Audible - 'It's 2020, and a magical cataclysm has shattered reality as we know it.
Now a wizard's cabal is running the East Coast of the US, keeping a semblance of peace. Their most powerful agents, Edmund and Istvan - the former a nearly immortal 1940s-era mystery man, the latter, well, a ghost - have been assigned to hunt down an arms smuggling ring that could blow up Massachusetts.' .
Short: The Dark Road: The Obernewtyn Chronicles By Isobelle Carmody, read by the author for Bolinda - 'A one-eyed cat weaves its way through Hannah's dreams, beckoning her up high mountains where she must walk the dark road. Her pilgrimage will take her through desert dunes, and deep into the strange recesses of long-hidden memories.'
FICTION:. Collection: Difficult Women By Roxane Gay, Narrated By Robin Miles for Audible - 'Award-winning author and powerhouse talent Roxane Gay burst onto the scene with An Untamed State and the New York Times best-selling essay collection Bad Feminist (Harper Perennial). Gay returns with Difficult Women, a collection of stories of rare force and beauty, of hardscrabble lives, passionate loves, and quirky and vexed human connection.' . The Twelve Lives of Samuel Hawley By Hannah Tinti, Narrated By Elizabeth Wiley for Brilliance - 'A father protects his daughter from the legacy of his past - and the truth about her mother's death - in this thrilling new novel from the prize-winning author of The Good Thief.' .
Sonora By Hannah Lillith Assadi, Narrated By Soneela Nankani for Recorded Books - 'Ahlam, the daughter of a Palestinian refugee and his Israeli wife, grows up in the arid lands of desert suburbia outside of Phoenix. In a stark landscape where coyotes prowl and mysterious lights occasionally pass through the nighttime sky, Ahlam's imagination reigns.
She battles chronic fever dreams and isolation. When she meets her tempestuous counterpart Laura, the two fall into infatuated partnership, experimenting with drugs and sex and watching helplessly as a series of mysterious deaths claim high school classmates.'
TEENS and KIDS:. Strange the Dreamer By Laini Taylor, Narrated By Steve West - 'A new epic fantasy by National Book Award finalist and New York Times best-selling author Laini Taylor of the Daughter of Smoke & Bone trilogy. The dream chooses the dreamer, not the other way around - and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old, he's been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it.
Then a stunning opportunity presents itself in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.' . A Crown of Wishes By Roshani Chokshi, Narrated By Priya Ayyar for Macmillan Audio - The Star-Touched Queen, Book 2: 'Gauri, the princess of Bharata, has been taken as a prisoner of war by her kingdom's enemies.
Faced with a future of exile and scorn, Gauri has nothing left to lose. Hope unexpectedly comes in the form of Vikram, the cunning prince of a neighboring land and her sworn enemy kingdom.' . The Royal Rabbits of London by Santa and Simon Sebag Montefiore, Narrated By Mike Grady for Recorded Books - 'The Hobbit meets Fantastic Mr. Fox meets Watership Down in this charming novel from best-selling authors Santa and Sebag Montefiore, which proves even the smallest rabbit can be the biggest hero.' NON-FICTION:. Requiem for the American Dream: The Principles of Concentrated Wealth and Power by Noam Chomsky, narrated by Donald Corren - an edited work sourced from long-form documentary interviews 'with unprecedented, breathtaking directness.'
. Anatomy of Innocence: Testimonies of the Wrongfully Convicted edited by Laura Caldwell and Leslie S. Klinger, narrated by Scott Aiello, Sarah Naughton, Peter Berkrot, Karen White, Jonathan Davis, and a full cast - 'In this groundbreaking anthology, 14 exonerated inmates narrate their stories to a roster of high-profile mystery and thriller writers - including Lee Child, Sara Paretsky, Laurie R. King, Jan Burke, and SJ Rozan - while another exoneree's case is explored in a previously unpublished essay by legendary playwright Arthur Miller.'
. Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy by Jay Chandrasekhar, read by the author - 'Director, writer, and actor Jay Chandrasekhar tells the hilarious history of his comedy group, Broken Lizard, and the making of the cult film Super Troopers, as well as the currently filming Super Troopers 2.'
MORE SERIES BOOKS:. The First City: The Dominion Trilogy, Book 3 By Joe Hart, Narrated By Dara Rosenberg. Espero: A Silver Ships Novel By S.